Saturday 12 September 2009

The Ruble Stops Here


After three weeks in Russia, I have to admit I still don’t understand the Russians — but then, why should I start with them?
Still, that brief visit, during which I hardly left one little neighborhood of Kaliningrad, permits me to pass judgment. For you see, Kaliningrad is the westernmost piece of Russia, separated from the rest of the nation by the Baltic States. Since Alaska, where I live, is also a non-contiguous, westernmost territory, and I told people in Russia that I am a completely typical American, I feel obliged to assume that anything I concluded about Kaliningrad is valid for the rest of the world’s largest country and its hundreds of ethnicities and regions.
Not that I reached any profound conclusions. The Russians are as contradictory a compilation of virtues and vices as any other people.
Chief among the former I judge their enthusiasm for gardening and their tolerance for cats. Among the more conspicuous of the latter are rampant alcoholism and the utter lack of a free press. At least Putin doesn’t support the alcoholism.
But now a little history, starring the Dom Sovyetov, a Kaliningrad landmark widely known as “the ugliest building on Russian soil.”
The city of Kaliningrad sits on the Baltic Sea, less than 50 miles east of Gdansk, Poland. Like Gdansk, it was once German territory, part of East Prussia. For seven centuries the busy port, famous for the region’s amber mines, was called Konigsberg. And for many of those centuries, a spectacular cathedral and castle complex dominated the central cityscape, a gem of medieval European architecture.
Near the end of World War II, the Royal Air Force bombed Konigsberg, wiping out the central city and destroying the castle. The strategic value of the attack is debatable, but the people who live there now still hold a grudge, even though Konigsberg was an enemy city at the time.
After the war, the Soviet Union annexed the territory, ejected most of the Germans, and renamed it after one of Stalin’s yes-men who never went near the place. While the Soviets turned the rest of the city into a workers’ paradise over the following decades, the castle remained a pile of rubble, with one dramatic wall fragment teetering over the remains like the Kaiser-Wilhelm-Gedächtniskirche in Berlin. That is, until 1967, when some party hack decided to make his bones by tearing down this last trace of bourgeois excess.
But what a great spot to demonstrate Soviet progress! After 20 years of design and development, construction began on the massive Dom Sovyetov, intended as a modern home for the national, regional and city administration of Kaliningrad. After another few years, construction stopped on the massive Dom Sovyetov as the even more massive Soviet Union went broke and dissolved into its pre-war constituents, except for Kaliningrad, which stayed Russian.
So for the next 15 years, a giant, unfinished, gray eyesore blighted what should have been prime commercial real estate in the center of a newly capitalist downtown. Then came 2005, and the visit of President Vladimir Putin to celebrate the 750th anniversary of the city. What to do, what to do?
I can’t decide whether the next part harkens more to the Soviet tradition of the Potemkin Village, or further back, to the Gogolian “Inspector-General” tradition of tsarist oxymoron. Or maybe it’s just the latest manifestation of a timeless Russian approach to civic administration.
In any case, officialdom decided to feed more funds into the dingy Dom, but only to the extent of some thousands of gallons of light blue paint and a few acres of glass panes to cover all the window holes.
And so it stands today — massive, empty and unusable, casting its depressing shadow into the trench where a few archaeologists scratch for treasures of the medieval town and castle. Meanwhile, a German consultant concluded the cheapest and safest thing to do now is tear down the whole thing and let future archaeologists enjoy the rubble.
I grew up thinking of Central Europe as a zone full of backwards, impoverished victims of communist oppression, and found my recent visits to Poland and the Czech Republic a little jarring because they are now clearly more modern and prosperous than where I live. So I indulge a perverse schadenfreude from the story of the Dom Sovyetov and can still feel a little superior knowing that at least Russia has held true to dictatorship and public mismanagement. The only remaining question is when Putin will end the charade and declare himself tsar.
In America, nothing remotely like that comedy of goof-ups could ever happen. We would never, for example, disrupt traffic in Boston for eight years and go $20 billion over budget on a project with such shoddy materials that a piece of new tunnel collapses and kills a motorist. In America, a city like Denver would not build a new airport ($3.1 billion over budget) with a state-of-the-art automated luggage system that breaks down the first day and can’t be repaired because the access tunnels were taken out of the design as a cost-cutting move. Equally impossible would be getting most of the way through construction of an 8,000-foot highway bridge over the Saginaw River in Michigan and finding that the two halves miss each other by six feet ($48 million over budget).
So I’m back in the USA, and don’t I know how lucky I am, boy. I intend to enjoy it as long as possible — probably until 2012, when Obama and Romney split the rational human vote and throw the election to Palin on her Real American Party ticket. Then, While Vice President Limbaugh pats down the dirt on the grave of our own free press, I will humbly recall the words of another, somewhat more famous Konigsberg.
“In six months, we’ll be stealing Erno’s nose.”

Monday 3 August 2009

Second Annual Esperanto Club Report

GDANSK, Poland -- The 94th Universala Kongreso de Esperanto ended Saturday in Bialystok, in eastern Poland, and while I alone attended from Alaska, that still qualifies our state as among the proportionally best represented regions of the world.

Bialystok is the hometown of Ludwig Zamenhof, the eye doctor who invented Esperanto in 1887. The honor of hosting the 2009 conference commemorates the 150th anniversary of his birth. While growing up in the multiethnic city during the 1860s and '70s, the studious Jewish boy heard a veritable tumult -- a Gemisch, a melange, a gobbledy-gook, if you will -- of languages around him, as his fellow citizens spoke Polish, Russian, Yiddish, German, Lithuanian and Byelorussian. Zamenhof's ingenious solution to the problem of six languages competing for attention in the same space? Invent a seventh.

On the other hand, Esperanto is easy to learn, culturally and politically neutral and as capable as any other language of expressing the range of human experience. When it comes to popularization, that counts as three strikes against.

According to the United Nations, 2009 is also the International Year of Reconciliation. Unfortunate timing -- Poland's No. 1 brewery, Tyskie, also declared 2009 the International Year of Beer, thus stealing the U.N.'s thunder. Participants at the Esperanto Congress made every effort to honor both celebrations.

The declared theme of the congress was a modern re-evaluation of Zamenhof's ideas about mutual understanding and toleration, goals he hoped to further with his new language. In case you wondered, the 1,860 people who showed up decided we're still for that stuff.

But as impressive as that attendance number is, it doesn't quite live up to the 'universal' part of the congress title. Indeed, as far as I could tell, this year's event suffered from the same problem as the previous 93, with not a single representatives from off-planet, let alone outside the Solar System. Oh, well.

Still, on the principle that we will welcome any aliens who do make the trip, the 2010 congress in Havana will also be called 'universal'. In this respect we are more up-front than the sponsors of the Miss Universe Pageant, who don't even send invitations to Mars or Venus, in an obvious move to keep the home-planet advantage. I can hardly wait till a sentient green cloud from Alpha Centauri calls their bluff, sings all four solo parts from the "Ode to Joy," then blows away Miss Brazil in the swimsuit competition.

Within our movement, some admit to doubt about what we call the "final victory," the day when everybody in the world uses Esperanto as a second language. These Esperantists just make the most of the movement's own microculture of networking, literature, hobby clubs and wearing little green star pins on our lapels.

I suppose I'm in that group, but I do what I can for diffusion. During the congress, I took the intermediate Esperanto competency certification exam endorsed by the European Commission, and therefore recognized in every country of the world except the United States. But I figure it all works out, because even where they do recognize it, it doesn't entitle you to anything.

Meanwhile, I've read some good books, and I have connections good for free lodging all over the world. The Esperanto movement even issued its own currency, the 'stelo', or star, in 1959. I have examples of coins in the 1, 5, 10 and 25 steloj denominations in uncirculated condition -- as are all stelo coins. At the current rate, one stelo can be exchanged for another stelo.

Esperanto youth culture appears particularly vigorous, in a wholesome, make friends around the world and sing Pete Seegery stuff in translation kind of way. Kids who learn Esperanto also have an easier time learning other languages later (true fact in real world).

Indeed, my informal census in Bialystock reinforces observations I made last year at the Pan-American Esperanto Conference in Montreal. It looks like esperantists are either in their teens or retired. OK, maybe people of working age just had to work all week.

I credit the return to our traditional recruitment method for the resurgence among the younger set. Apparently our ill-conceived, friendly cartoon character, Esperanto Asparagus, reminded people of a gangrenous finger, and has now retired. So we're back to hiding around the corner from playgrounds with textbooks and dictionaries strapped inside our trench coats.

"Pssst. Hey, kid, wanna learn Esperanto?"

What's my point? Learn a new language -- it keeps your brain from shriveling.

And, as always, "Qapla'!"

[The first annual report is 'below' at 17 July 2008.]

Wednesday 15 April 2009

No nutshell large enough

As the 2009 recipient of the Suzan Nightingale prize for newspaper columns published in Alaska during the previous year — universally recognized as the world’s highest literary honor — I now face the same danger of career anticlimax that turned triumph into tragic farce for Alexander after conquering Persia, Ronald Reagan after leaving Hollywood, and Richard Daystrom after inventing duotronic circuits.
From this height, a decline looks unavoidable, but I have set my sights on another goal to at least prolong the pain. And while the Edward Bulwer-Lytton Fiction Contest is not the Suzan Nightingale prize, it can still claim the distinction of a bar set so high that neither Walter Lippmann nor Walter Winchell reached it during their lives, and whose chances of ever doing so have only declined since their deaths.
EBLFC is like a TV show that doesn’t mind jumping the shark in the pilot episode. As a literary exercise, it blurs the line between the pointless and the superfluous, asking entrants to compose the worst possible opening sentence for a novel. That anyone reading this sentence already shares my high tolerance for unnecessarily complex sentence structures, irrelevant parentheticals and gratuitously recherché vocabulary goes, although obviously not without typing, at least without saying.
Either that or you’re German.
Yet I know restraint, having split only half the infinitives in this article so far. The name of the contest commemorates an author who knew none, an Englishman whose turgid style could stand eye-to-eye with that of Eichendorff, Kleist or Hoffman without flinching. Heck, it could take them all on at once, beat them around the ring, swipe their Menthos, and leave the entire post-Goethe pantheon gasping for a semicolon.
Amazingly, Edward Bulwer-Lytton (1803-1873) enjoyed tremendous success with Victorian readers, whose faultless judgment in wrought iron railings and which backward civilizations to colonize did not extend to their bookshelves.
Of course, modern readers have an answer to that in Jackie Collins. In the spirit of research, I once tried to read one of her books, since I make a modest living at writing but would rather make several thousand such modest livings, as she does. I found I lost nothing of the story by skipping every other sentence, then paragraph, then page, and finally chapter. The more mathematically inclined could see Collins’ style as the perfectly redundant literary manifestation of a Mandelbrot set.
But I digress. Of course.
The point is, Bulwer-Lytton is unreadable —and not in the cool way like “Ulysses” or “Gravity’s Rainbow.” Nobody pretends to have read his 1834 novel “The Last Days of Pompei” to score points with an intellectual chick. Witness the wisdom of the Hollywood rewrite. The classic 1935 film based on it kept nothing but the title. At least that’s what we all assume, since nobody has actually made it through the book since 1904.
During my stint as a newspaper editor, I have devoted most of my waking hours to the transmission of important information through clear, concise prose. But with the goal of winning this year’s EBLFC in mind, I did what anybody with a narrow range of outdated skills in a stressed industry would do during economic hard times.
I quit my job.
Would it make more sense to devote my energy to improving newspapers as a product, thus bolstering their status as an indispensable bulwark of democracy? Perhaps.
Do I marvel at my own ability to waste time composing such sentences? A little.
Are rhetorical questions a hackneyed and irritating literary device? Undoubtedly.
So here are my entries for this year’s contest:

The day began, like so many others, almost immediately after midnight, and continued virtually uninterrupted until the following midnight, despite Jeremy’s foredoomed attempts to construct a time machine without the calliope and live kinkajou usually associated with such devices.

I field-tested that sentence a few months ago, and was told it was too coherent for the spirit of EBLFC. So I tried again.

Theodosia’s gaze strayed to the kitchen window, through which she saw a dreary rain mottling Paul’s latest triumph, an abstract sculpture in concrete — an apt metaphor for life itself, she reflected, if only he had named it something other than “Up Yours, Manitowoc County Arts Commission.”

But I was enjoined to be more turgid. I took the criticism to heart and produced this third possibility:

It would be no wanton hyperbole to call Cecil Basingstoke-Weekes a giant among men, as it would be to call him one among musk oxen, and while to the great good fortune of the Godalming Society for Orthographic Reform’s reputation for scrupulous accuracy the latter expression never found its way past the lips of any of its members — due however much to their profound, if unsurprising, ignorance of a species rarely seen in that part of Surrey — it was the merest spite that prevented them from making use of the former.

This time the reaction tended to blank stares rather more than I intended, and I felt obligated to try one last time.

Palomina — for such was the name by which Fanny Metacarpal referred to herself in the privacy of her own thoughts — leaned against the drab doorway of her hovel, lugubriating in a mental landscape that owed much to the dreary aspect of similar hovels stretching into a Hoovervillian vista before her for its desperate Weltschmerz, strewn as it was with spiritual rubbish and emotional dirty laundry, and decided to go inside.

Was reading this column any more painful than watching Sarah Palin choose Bobby Jindall as her 2012 running mate at the exact moment a volcano erupted near Anchorage? You be the judge.

Thursday 19 March 2009

More stereos

Holy Resurrection Cathedral, but it's not that big and there's no bishop in Kodiak any more.

Mel Gibson memorial tower in Stirling, Scotland. (OK, William Wallace memorial, but there was a statue of Mel in the parking lot).

Kodiak welcome sign in front of former day shelter for homeless, now out of business.

Baranov Museum, aka Erskine House, aka Russian magazin, oldest building in Alaska (1808)

The Water Key needs repainting. Haulout planned for early June, volunteers receive exclusive souvenirs (really cool ones). Note Drew's officer burgee as D17 ADSO-PA.

In Ferry terminal parking lot looking toward Near Island bridge.

Kodiak Daily Mirror pressman Jeff Henderson standing next to mighty engine of freedom, March 2009.

You people think I can just roll out of bad in the morning and look this scruffy? No, sir, it takes work.

Wednesday 18 February 2009

Stereoviews for use with Drewview

See previous posting for simple instructions on how to make the amazing Drewview stereoscope out of household objects.

Churchyard in Dunblane, Scotland, summer 2007


"Satchmo's Ghost Serenades Nessie Near Greenland"


Lion statue in front of Glasgow city hall, summer 2007


"Space Tourism"


Cheng Man-ching


"Haregaj sagxuloj de la 19-a jarcento cxirkauxsxvebas Zamenhofon"
(Hairy wise men of the 19th century hover around Zamenhof)


Tiller of the Discovery, one of Capt. Robert Falcon Scott's ships, from my visit to Dundee, Scotland, in 2007


"Portrait of the Artist as a Dead Man"

The Drewview



A stereoscope from household items

Thanks to the wheel of fashion, those of us with a penchant for vintage (what we used to call “second hand”) clothes and accessories actually lead every trend — if you wait long enough.
I introduced the Swatch to America in 1984. I liked the retro use of hands on a watch in an era dominated by those pre-LCD glowing digitals. I was also ahead of the curve on banded collars and green tea. Don’t come crying to me when you’re the only one on the block who doesn’t speak Esperanto.
Now the Hollywood buzz is all about a revival of 3-D, and this time I have published proof of my foresight.
I devised the following project for a children’s section of the Kodiak Daily Mirror (Dec. 19, 2006). I consider it by far the greatest achievement of my career in journalism.

Materials:
2 toilet paper tubes
1 pair 2.25X reading glasses
clear tape
1 business card
optional: paint or electrician’s tape



Construction:

1. As an optional improvement for opacity, you can wrap the toilet paper tubes with electrician’s tape, or paint the tubes. If you want to paint them for decoration, it might be better to do it before the other steps.

2. Pop the reading glasses lenses out of the frame. Tape a lens to one end of each of the toilet paper tubes. Call the ends of the tubes with the lens “A” and the empty ends “B”.


3. Tape the short end of the business card to the left tube about half an inch from the A end so that the card sticks up perpendicular to the inside edge of the lens (as if it were still in the glasses).



4. Tape the other short end of the business card similarly to the right tube. Now you can hold the tubes in position to put the lenses side-by-side like they were in their old reading glasses days, and the business card bends to form a bridge over your nose.


5. With the tubes held to make the bridge as in step 4, tape the inner edges of the B ends together to make the point of a V-shape.


6. Stereoscope is done. To view images, hold the viewer with the lenses up to your eyes and aim. You can adjust the viewer for the distance between your eyes by squeezing the bridge tighter or looser. When viewing, hold the image steady for a moment to let your eyes get a fix, then change the distance gradually to find the best position for the 3-D effect.

Making images:

I include some samples here from real life and some I put together from pieces. You can view them on the computer screen or print them out and make little cards. I calculated the specs so that the image to view (left and right halves taken together) is about the size of a standard playing card.

To make your own stereoviews with a camera, shoot one photo for the left image, then move the camera slightly to the right on the same horizontal plane and snap the right image. If there are people or animals in the picture, make sure they don’t move.

The distance between where the camera takes the two frames doesn’t have to be eye width. Depending on the distance to the subject and its size, you might get a better effect with a larger or smaller baseline. For example, if you shoot a building from across the road, you could try moving the camera a few feet for the second shot.

To make completely artificial stereo art, choose a background scene or pattern and place foreground objects on it (easy in Photoshop, but also possible by hand). Let that be the left image. Then copy that image, but move the foreground objects slightly left against the background to create the right image. The farther an object is moved, the more it will appear to stand out from the background, so you can place objects at different apparent depths.

Several online archives make old stereoviews available. Adjust the size on screen to about 66 percent for this homemade viewer, or you can print them out and reduce them with a copier to the right size. Mounting them on cardboard with spray glue makes them easier to use.
http://content.lib.washington.edu/stereoweb/
http://www.johnsonshawmuseum.org/
http://library.pacific.edu/ha/digital/spooner/index.asp

I am considering the design of a card holding extension for the Drewview like on the old-fashioned stereoscopes so you don’t have to hold the picture yourself.

Remember to use the awesome power of stereoscopy only for good, never for evil.